Yes, but for facts, stats and authoritative accounts I would always turn to refereed sources: journal articles, books, and reports commissioned by publicly accountable organisations. We are more confident about something in print (i.e. on the page) if it has been through a process of review by others who claim also to know about the … Continue reading
This week I’ll participate in a round table discussion about the digital humanities at an event called Methodological Intersections at the Trier Digital Humanities Autumn School in Trier, Germany. We’ve been presented with 5 questions, which I’ve reformulated here in my own words — with some tentative responses. Q1: The digital humanities (DH) presents itself as cross disciplinary. Does the idea of the digital humanities weaken the … Continue reading
It’s good to be ambitious, to aim for impact and to make a difference. Here are some ambitious project ideas: create an exhibition, build a pavilion in a city square, fabricate a dynamic sculpture in a workshop, produce an interactive computer app, make a film, run an elaborate experiment, conduct a massive survey, embark on a Kickstarter campaign, run … Continue reading
Good research draws on evidence — at the very least a body of literature that supports the answer to a research question. Can you draw on the Internet for evidence? As well as a body of literature most researchers would admit as evidence the results of experiments, observations, surveys, interviews, and questionnaires. In architecture, the arts and some other fields (engineering, … Continue reading
Scholars use the Internet to develop ideas, build contacts and networks, and promote their work and their publications. They also use online professional and social media. Digital scholars have an online presence to which they can refer potential publishers, and they exploit the Internet to investigate funding opportunities and publishing outlets, including journals, conferences, and … Continue reading
As for all the arts, it’s easy enough to indicate how important interpretation is in architecture. Designers interpret the clients’ and users’ requirements, the brief, the regulations, and the site. They also interpret buildings and texts about architecture, not to mention drawings, instructions, illustrations, and photographs. In keeping with the conceits of this proud art … Continue reading
Who cares about research? Much research in the UK is publicly funded, through grants, university infrastructure and salaries. The latest research exercise (REF) foregrounds the issue of impact. How can research communities demonstrate the value of their research to society at large? There’s economic and social impact, where research leads to better products for the … Continue reading
Musicians are familiar with the discrepancies evident in musical scale systems. The cycle of fifths and the cycle of octaves work together to produce a harmonious and well-ordered system of relationships between notes — almost. The superimposition of the two systems that is so essential for free and inventive modulation across musical scales in fact … Continue reading
This blog post is derived from an article I wrote in response to a request from the Students’ Society of Architecture, Jadavpur University, India, in 2008.
Design-led research seeks to understand the world through direct intervention by the researcher, rather than detached observation.